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Rhapsody on a Theme of Paganini

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Rachmaninoff ca. 1933

The Rhapsody on a Theme of Paganini, Op. 43, (Russian: Рапсодия на тему Паганини, Rapsodiya na temu Paganini) is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement. Rachmaninoff wrote the work at his summer home, the Villa Senar in Switzerland, according to the score, from 3 July to 18 August 1934. Rachmaninoff himself, a noted performer of his own works, played the piano part at the piece's premiere on 7 November 1934, at the Lyric Opera House in Baltimore, Maryland, with the Philadelphia Orchestra conducted by Leopold Stokowski.

Rachmaninoff, Stokowski, and the Philadelphia Orchestra made the first recording, on 24 December 1934, at RCA Victor's Trinity Church Studio in Camden, New Jersey. The English premiere on 7 March 1935 at Manchester Free Trade Hall also featured Rachmaninoff with The Hallé conducted by Nicolai Malko. The best-known variation in the piece is the 18th variation, frequently selected in isolation in classical music compilations.

Instrumentation

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The piece is scored for piano and orchestra:[1]

Structure

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Paganini's theme Playⓘ

The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The whole composition takes about 22–24 minutes to perform. All variations are in A minor except where noted.

  • Section 1:
    • Introduction: Allegro vivace
    • Variation 1: (Precedente)
    • Theme: L'istesso tempo
    • Variation 2: L'istesso tempo
    • Variation 3: L'istesso tempo
    • Variation 4: Più vivo
    • Variation 5: Tempo precedente
    • Variation 6: L'istesso tempo
    • Variation 7: Meno mosso, a tempo moderato
    • Variation 8: Tempo I
    • Variation 9: L'istesso tempo
    • Variation 10: L'istesso tempo
  • Section 2:
    • Variation 11: Moderato
    • Variation 12: Tempo di minuetto (D minor)
    • Variation 13: Allegro (D minor)
    • Variation 14: L'istesso tempo (F major)
    • Variation 15: Più vivo scherzando (F major)
    • Variation 16: Allegretto (B♭ minor)
    • Variation 17: (Allegretto) (B♭ minor)
    • Variation 18: Andante cantabile (D♭ major)
  • Section 3:
    • Variation 19: A tempo vivace
    • Variation 20: Un poco più vivo
    • Variation 21: Un poco più vivo
    • Variation 22: Marziale. Un poco più vivo (Alla breve)
    • Variation 23: L'istesso tempo
    • Variation 24: A tempo un poco meno mosso (A minor → A major)

Although Rachmaninoff's work is performed in one stretch without breaks, it can be divided into three sections, as shown above. These correspond to the three movements of a concerto: up to variation 10 corresponds to the first movement, variations 11 to 18 are the equivalent of a slow movement, and the remaining variations make a finale.[2]

Analysis

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After a brief introduction, the first variation is played before the theme.[3] Paganini's theme is stated on strings with the piano picking out salient notes, after the first variation. Rachmaninoff likely got the idea of having a variation before the theme from the finale of Beethoven's Eroica symphony.[4] Variations II to VI recombine elements of the theme. The pauses and rhetorical flourishes for the piano in variation VI herald a change of tempo and tone. The piano next gravely intones the Dies irae (of which, to some degree, the Paganini theme is an inversion),[5] the "day of wrath" plainchant from the medieval Mass of the Dead, while the orchestra accompanies with a slower version of the opening motif of the Paganini theme. The piece is one of several by Rachmaninoff to quote the Dies Irae plainchant melody.[6]

Inversion of the melody

The slow 18th variation is by far the best known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is literally played "upside down" in D♭ major, with a few other changes. Rachmaninoff himself recognized the appeal of this variation, saying "This one is for my agent."[4]

The 24th variation is more playful in tone than most of the other variations, ending with a glissando sweep of the keyboard, before quoting the original theme in the last bar.[7] Due to the speed and the large leaps on the piano, the 24th and last variation of the rhapsody presents considerable technical difficulty for the pianist. Shortly before the world première performance, Rachmaninoff – a sufferer of performance anxiety[8] – confessed trepidation over his ability to play it. Upon the suggestion of his friend Benno Moiseiwitsch, Rachmaninoff broke his usual rule against drinking alcohol and had a glass of crème de menthe, which he reputedly kept beneath the piano, to steady his nerves.[citation needed] His performance was a spectacular success, and prior to every subsequent performance of the Rhapsody, he drank crème de menthe. This led to Rachmaninoff nicknaming the twenty-fourth the "Crème de Menthe Variation".[9]

Balletic interpretations

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In 1939, Michel Fokine wrote to Rachmaninoff from Auckland, New Zealand, where he was touring, seeking the composer's approval to use Rhapsody on a Theme of Paganini for his ballet Paganini, which he had almost finished choreographing. Fokine wanted to make a minor change to the score, involving the reuse of 12 earlier measures as a more theatrically effective introduction to the 18th Variation, which he wanted to play in the key of A major, rather than D♭ major. Rachmaninoff agreed to the extra measures, although he said A major would not work and asked that the 18th Variation be played in D major, to provide greater tension. He also wondered why Niccolò Paganini had been turned into a guitar player in Fokine's scenario, but did not object.[10] Paganini was premiered in 1939 by The Royal Ballet at the Royal Opera House in Covent Garden, London. The ballet was a success, which pleased Rachmaninoff, and he wrote his Symphonic Dances in 1940 with Fokine in mind. He played the piano version for Fokine, but both died before the idea got any further.[11]

The Rhapsody has also been used for ballets by Leonid Lavrovsky (Bolshoi Ballet, Moscow, 1960), Frederick Ashton (Royal Ballet, London, 1980),[12] and Ivo van Zwieten.[13]

Selected recordings

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External audio
audio icon Performance of Rhapsody on a Theme of Paganini played by Sergei Rachmaninoff with the Philadelphia Orchestra conducted by Leopold Stokowski in 1934
Piano Conductor Orchestra Record company Year of recording Format
Sergei Rachmaninoff Leopold Stokowski Philadelphia Orchestra RCA Victor Red Seal 1934 CD[14]
Benno Moiseiwitsch Basil Cameron Liverpool Philharmonic Orchestra Naxos Records 1938 CD[15]
William Kapell Fritz Reiner Robin Hood Dell Orchestra RCA Victor Red Seal 1951 CD[16]
Arthur Rubinstein Fritz Reiner Chicago Symphony Orchestra RCA Victor Red Seal 1956 CD[17]
Leon Fleisher George Szell Cleveland Orchestra Columbia Masterworks 1957 CD[18]
Leonard Pennario Erich Leinsdorf Los Angeles Philharmonic Capitol Records 1958 LP, rereleased on CD by Seraphim[19]
Vladimir Ashkenazy André Previn London Symphony Orchestra London Records 1971 CD[20]
Dmitri Alexeev Yuri Temirkanov St. Petersburg Philharmonic Orchestra RCA Victor Red Seal 1995 CD[21]
Van Cliburn Kirill Kondrashin Moscow Philharmonic Orchestra RCA Victor Red Seal 1972 CD[22]
Yuja Wang Claudio Abbado Mahler Chamber Orchestra Deutsche Grammophon 2011 CD[23]
Daniil Trifonov Yannick Nézet-Séguin Philadelphia Orchestra Deutsche Grammophon 2015 CD[24]
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The 18th variation, by far the most popular, has been used in various movie and TV show soundtracks to different degrees. This includes:

Winifred Atwell recording of the 18th variation as a theme from The Story of Three Loves reached No. 9 on the UK chart.[25]

The pop song "If I Had You" by The Korgis uses the melody fragment from the 18th variation.

The video game Gran Turismo 6 uses it as the intro theme.

See also

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References

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  1. ^ Steinberg 1998, p. 367.
  2. ^ Serotsky, Paul. "Rachmaninov – Rhapsody on a Theme of Paganini notes". Retrieved 21 January 2007.
  3. ^ Robert Cummings. Rhapsody on a Theme of Paganini at AllMusic
  4. ^ a b Steinberg 1998, p. 367–370.
  5. ^ Dotsey, Calvin (9 November 2017). "A Guide to Rachmaninoff's Rhapsody on a Theme of Paganini". Retrieved 18 April 2020.
  6. ^ Pallaver, Vincent (February 2004). "Rachmaninoff and Dies Irae" (PDF). Archived from the original (PDF) on 5 July 2010. Retrieved 18 December 2008.
  7. ^ "Rhapsody on a Theme of Paganini, Op.43 (Rachmaninoff, Sergei) - IMSLP: Free Sheet Music PDF Download".
  8. ^ "News". Archived from the original on 2016-03-18.
  9. ^ Rimm 2002, p. 142.
  10. ^ Bertensson & Leyda 1956.
  11. ^ "DANCE - Is There a Ballet In Rachmaninoff's Symphonic Dances? - NYTimes.com". The New York Times. 30 January 1994. Retrieved 23 February 2015.
  12. ^ "Sergei Vasilievich Rachmaninov". Answers.com. Retrieved 23 February 2015.
  13. ^ I Feel Slovenia
  14. ^ "Rachmaninoff Plays Rachmaninoff – The 4 Piano Concertos, Etc". RCA Victor Red Deal. Retrieved September 5, 2011.
  15. ^ "Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 – Rachmaninov: Piano Concertos nos. 1 & 2; Rhapsody on a Theme of Paganini". Rovi Corporation. Retrieved August 29, 2011.
  16. ^ "Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 – Rachmaninoff: Concerto No. 2; Rhapsody on a Theme of Paganini". Rovi Corporation. Retrieved August 29, 2011.
  17. ^ "Rhapsody on a Theme of Paganini, Op. 43 (Remastered 1999)". Amazon. 2000.
  18. ^ "Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 – Franck: Symphonic Variations; Rachmaninov / Fleisher, Szell". Sony Classical. Retrieved September 5, 2011.
  19. ^ "Classical Net Review – Seraphim Reissues". Classical Net Review. Retrieved July 7, 2016.
  20. ^ Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 – Rachmaninov: Piano Concerto No.2/Rhapsody on a Theme of Paganini at AllMusic
  21. ^ Symphonic Dances, Rhapsody on a Theme of Paganini, Aleko Overture at AllMusic
  22. ^ Van Cliburn in Moscow at AllMusic
  23. ^ "Piano Concerto No.2; Rhapsody on a Theme of Paganini / Yuja Wang, Abbado, Mahler Chamber Orchestra". www.cdandlp.com. Retrieved 2024-06-13.
  24. ^ Rachmaninov Variations / Daniil Trifonov, Yannick Nézet-Séguin, Philadelphia Orchestra at AllMusic
  25. ^ "Winifred Atwell". The Official Charts Company.

Sources

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